November 26, 2014

Autumn in Arashiyama (2): Okochi Sanso

Okichi Sanso is a mountain villa, laid out on the sides and top of a steep hill next to Kameyama Park in Arashiyama. It affords grand views over both the city of Kyoto (towards the Higashiyama range) and over the gorge of the Hozu River. There are evergreen pine trees, but also maple trees and cherry trees which dress the garden in the color of the season. There are also several buildings, such as a shrine, a tea house and a private residence in traditional style, but these are not open to the public.

[Okochi Sanso - the lawn in front of the main house with a gorgeous Ginkgo tree]

Okochi Sanso is named after the man who constructed house and garden: Okochi Denjiro (real name Obe Masuo; 1898-1962), one of Japan's most famous film actors. Okochi's career started in 1926 with silent films, and he mostly - though not exclusively - acted in period films (jidaigeki). He worked with directors as Kurosawa Akira, Ito Daisuke, Yamanaka Sadao, Kinugasa Teinosuke, Inagaki Hiroshi and Makino Masahiro, and played next to famous stars as Bando Tsumasaburo, Kataoka Chiezo, Shimura Takashi and Hara Setsuko.

[Okochi Sanso - the main house called Daijokaku]

Among Okochi's famous films are The Million Ryo Pot (Tange Sazen Yowa: Hyakuman Ryo no Tsubo), a jidaigeki comedy made in 1935 by Yamanaka Sadao; and Sugata Sanshiro (1943), The Men Who Tread on the Tiger's Tail (Tora no O wo Fumu Otokotachi, 1945) and No Regrets for Our Youth (Waga seishun ni kuinashi, 1946), all by Kurosawa Akira. His most famous genre roles in period film were that of the wandering gambler Kunisada Chuji and the nihilistic ronin Tange Sazen, who has lost his right eye and right arm due to betrayal. In non-period films (made during the Occupation after WWII, when jidaigeki were forbidden), he usually depicts a traditional, overbearing father.

[Okochi Sanso - Mossy garden next to the Tekisuian tea house]

The 20 thousand square meter garden was constructed over a period of 30 years. The main structures, such as the Daijokaku main house and Tekisuian tea house were built in the 1930s and 1940s; only the Jibutsudo Buddhist shrine dates from the Meiji period and was brought here from elsewhere. This unique garden has only few flat spaces - the largest one is in front of the main house, where visitors can sit down on benches and enjoy the view over Kyoto. Another one is close to the entrance, where there is a restaurant serving the cup of green tea and a sweet included in the (somewhat higher than usual) entrance fee. There is also a mossy garden next to the exquisite Tekisuian tea house. But for the rest this garden consists of narrow paths running steeply up or down the hill, all with one-way traffic - to see the garden, one has to do quite a lot of climbing. At the top of the hill is a viewpoint affording a view of the Hozu River gorge and Daihikaku Temple on the opposite hillside - but the view over the same river gorge from nearby Kameyama Park is better, as that allows a broader and more open view of the valley.

[Okochi Sanso - the view towards Kyoto]

As a bonus there is a small outdoor museum with pictures of Okochi Denjiro in various film roles; but unfortunately for foreign visitors, no effort at translation has been made here. The garden is open around the year and although one has to do some effort to see it, the reward for that is a rich seasonal feeling.